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Review: Kitty Foyle: 5.9/10




Kitty Foyle (1940): 5.9/10


I was expecting to like this film more than I actually did which is disappointing. Maybe it is because a lot of the film has not aged well and comes off as very dated. There is another melodrama I have recently seen which is much more over the top but it has aged better than Kitty Foyle. What keeps this movie afloat is Ginger Rogers as Kitty Foyle and her chemistry which her two leading men. The scenes when Kitty hears Wyn's voice on the recorder, when she meets Mark and the scene when she meets Wyn's family are the standouts here. Other than these scenes, the film fails to deliver and we see this right in the beginning with the extremely heavy handed nature of the opening sequence charting the progress women have made in recent years. While these moments are appreciated somewhat, they also bog down the film in unnecessary and hammy elements. Another example of this is the frame story of the film. Kitty is trying to decide which man to marry and another version of herself appears in the mirror and literally tells her her own entire life story which we then get to see. It was really badly handled.

I am not used to seeing Ginger Rogers in a film without Fred Astaire or without Busby Berkeley musical numbers. She won an Oscar for this and when the film first began I noticed that she was missing that spark of hers which radiated from the screen. She gets it back from time to time but her vivacious presence from her earlier films was slightly missing here which is a shame. I understand that some of this has to do with character and she really does do a great job in this although I must admit I am surprised that this performance won an Oscar. I watched this 5 days ago so my thoughts are a bit muddled at this point. From what I can recall thought, Kitty Foyle is a sometimes successful and much appreciated portrait of the new white collar girl emerging in the country at this time. It is interesting to see that both the film and the book hinge on this selling point (a story on the new type of woman) but it gets bogged down in its own melodrama which does not always work and at times comes off as very dated and hokey.
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1. November 6th 2009 @ 16:56. JohnDoe Says:
Hi catherine,

Good review of a Rogers film that i haven't seen...in fact like you, I don't think I have seen her in much without Astaire by her side. (Unless you count 'the Love Boat

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